Cantata Solida (for electric guitar and bass guitar; commissioned by Leise Dröhnung, August 2021)

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Game (for picc., ob., bcl., hn., tpt., tbn., tba., pno. (cel.), vn., va., vc., db., and perc.; written for Ensemble Musikfabrik, December 2020)

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Traktat über die Chirurgie (for clavichord, prepared piano, and violin; commissioned by Ensemble Musikfabrik; written for Hannah Weirich and Ulrich Löffler, September 2020)

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Rondo de facto (for pebble solo; commissioned by Ensemble Musikfabrik; written for Dirk Rothbrust, October 2020)

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GDP (for organ and video; written for the organ at Sankt Peter Köln, June 2019)

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Botanisieren (for trumpet, horn, percussion, cello, and double bass; written for Ensemble Musikfabrik, November 2019)

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Double Variations on Video Ostinato (a video piece based on recorded samples, May 2019)

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Geier, Krähe und das Vorspiel zum Dissens (for violin · ca. 21′ · written for Sara Cubarsi · December 2022)

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The Metaphor of Opium, LSD, and Cocaine (for violin · ca. 7′ · commissioned by Sara Cubarsi; funded by Initiative Freie Musik e. V. Köln · August 2024)

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Narr (for violin and cello · ca. 6′ · commissioned by Duo Auxesis · September 2024)

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Mādar (for double bass · ca. 6′ · October 2019)

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Flöte spielen (for flute · ca. 9′ · May 2018)

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ONpodcast | »Considerations on Form«

FIRST MOVEMENT

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ONpodcast | »Considerations on Form«

SECOND MOVEMENT

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„Schwankender Grund“ – Gespräch über Form zwischen Mazyar Kashian und Friedrich Jaecker

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MODELL 1:2

wie man von eins zu zwei und von zwei zu eins kommt

in Das Journal #Fremd und Eigen